What an Artist Dies in Me
Chapter Eleven - The Four Emperors
Section 12 of 15
CHAPTER ELEVEN
The Four Emperors
THE END DIDN’T begin with a sword.
It began with indifference.
Rome had stopped listening.
When news reached Nero that the governor of Hispania, Galba, had declared himself emperor, his reaction was almost childlike.
He panicked.
He begged.
He threw tantrums.
He cried.
This wasn’t just a rebellion — it was rejection.
For years, Nero thought he was the empire.
Now, Rome was writing him out of the script.
In 68 CE, the Senate turned.
The Praetorian Guard turned.
Even his closest circle — the ones who clapped the loudest — started disappearing.
Nero woke up emperor.
He went to sleep a fugitive.
He fled the palace in disguise.
Tried to find a ship.
Tried to rally support.
Tried to matter again.
But no one came.
He was the most powerful man in the world…
…and now, not even his slaves would meet his eyes.
Eventually, he found refuge in the villa of a freedman.
There, hiding in a cellar, trembling with shame, he received the final blow:
“The Senate has declared you a public enemy.
They plan to beat you to death in the Forum.”
Nero wept.
Not for Rome.
Not for the throne.
But because no one would remember him as an artist.
“What an artist dies in me,” he said.
Then pressed a dagger to his throat.
And even then — he couldn’t do it.
A servant had to finish the job.
His death created a vacuum so unstable, it nearly ripped the empire in half.
What followed was one of the most chaotic years in Roman history:
The Year of the Four Emperors.
- Galba — the man who rose first. Old, stern, and almost immediately hated.
- Otho — his rival, who assassinated Galba and took the throne… only to kill himself three months later.
- Vitellius — backed by the German legions, took Rome with a flood of blood.
- Vespasian — the general from Judea, who finally stabilized the chaos and founded the Flavian dynasty.
Four emperors. One year. Civil war. Assassinations. Executions.
The empire didn’t collapse…
…but it staggered.
Because Nero had broken the illusion of permanence.
He wasn’t just the last of the Julio-Claudians.
He was the last time Rome believed the emperor was sacred.
After him?
They were just men in costumes.
